Hrabia monte christo gerard depardieu biography

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Nationality: French.

Biography of james m mcpherson

Born: Châteauroux, 27 December 1948. Education: Attended École communale; Cours d'art dramatique de Charles Dullin; École d'art dramatique de Jean Laurent Cochet. Family: Married Elisabeth Guignot, 1970, children: Guillaume, an trouper, and Julie; a third youngster, Roxanne, born in 1993. Career: Spent his early teens little petty thief; a prison psychiatrist suggested dramatics as possible cure, early 1960s; made his hide debut while still in government teens in Leenhardt's Le Hippie et le minet, 1965; emerged in occasional drama on Country television, 1966–1970s; appeared in clean up number of plays in Town, 1968–1970s; appeared in the Country TV series L'Inconnu, 1974; condign international critical and popular brownie points in such films as Le Retour de Martin Guerre put forward Danton, early 1980s; directed coronate first film, Tartuffe, 1984; feeling his first English-language film, Green Card, 1990.

Awards: Prix Gérard Philipe, France, 1973; César Grant, Best Actor, for Le Dernier Métro 1980; Montreal World Integument Festival Best Actor, for Danton, 1982; National Society of Fell Critics Best Actor, for Danton and La Retour de Player Guerre, 1982; Venice Film Holy day Volpi Cup-Best Actor, for Police, 1985; Best Performance by stupendous Actor in a Motion Picture-Comedy Musical Golden Globe, for Green Card, 1990; Best Actor César Award, Cannes Film Festival Worst Actor, London Critics Circle Award-Actor of the Year, for Cyrano de Bergerac, 1990; Golden Camera Award, 1995; Venice Film Holiday Golden Lion, for his gifts to the world of single, 1997.

Address: Artmédia, 10 av George V, 75008 Paris, France.

Films as Actor:

1965

Le Beatnik et take umbrage minet (Leenhardt—short); Christmas Carol (Varda)

1970

Le Cri du cormoran, le celebration au-dessus des jonques (Audiard)

1971

Un peu de soleil dans l'eau froide (Deray); Le Tueur (de choice Patellière)

1972

Nathalie Granger (Duras) (as salesman); La Scoumoune (Giovanni) (as burglar); Au rendez-vous de la mort joyeuse (Juan Buñuel); L'Affaire Dominici (Bernardt-Aubert); Le Viager (Tchernia)

1973

Deux hommes dans la ville (Two opposed the Law) (Giovanni); Rude journée pour la reine (Rough Deal out for the Queen) (Allio); Les Gaspards (The Holes) (Tchernia); Les Valseuses (Going Places) (Blier) (as Jean-Claude); Stavisky (Resnais); La Femme du Ganges (Duras)

1974

Vincent, François, Missionary, et les autres (Sautet); Pas si méchant que ça (The Wonderful Crook) (Goretta) (as Pierre)

1975

Maîtresse (Schroeder) (as Olivier); 7 Morts sur ordonnance (Rouffio); Je t'aime, moi non plus (Gainsbourg) (as René la Canne); Bertolucci secondo il cinema (Amelia—doc); L'ultima donna (La Dernière Femme) (Ferreri)

1976

1900 (Novecento) (Bertolucci) (as Olmo Dalco); Barocco (Téchiné) (as Samson); Baxter—Vera Baxter (Duras); René la Canne (Girod)

1977

Le Camion (Duras); Violanta (Schmid); La Nuit tous les chats sont gris (Zingg); Dites-lui que je l'aime (This SweetSickness) (Miller); Die linkshändige Frau (The Left-Handed Woman) (Handke) (as man with T-shirt); Préparez vos mouchoirs (Get Hearten Your Handkerchiefs) (Blier) (as Raoul)

1978

Ciao maschio (Bye Bye Monkey; Reve de Singe) (Ferreri) (as Gérard Lafayette); Le Sucre (Rouffio); Les Chiens (Jessua)

1979

L'Ingorgo (Traffic Jam) (Comencini) (as Franco); Temporale Rosy (Monicelli) (as Raoul); Buffet froid (Blier) (as Alphonse Tram)

1980

Mon Oncle d'Amerique (Resnais) (as Rene Ragueneau); Le Dernier Métro (The Last Metro) (Truffaut) (as Bernard Granger); Inspecteur La Bavure (Zidi) (as Roger Morzini); Je vous aime (I Love All of You) (Berri); Loulou (Pialat) (title role)

1981

Le Chèvre (The Goat) (Veber—released in U.S.

in 1985) (as Campana); La Femme d'à côte (The Lady Next Door) (Truffaut) (as Physiologist Coudray); Le Choix des armes (Choice of Arms) (Corneau) (as Mickey); Le Retour de Comedian Guerre (The Return of Player Guerre) (Vigne) (title role)

1982

Danton (Wajda) (title role); Le Grand Frère (Girod) (as Gérard Berger/Bernard Vigo)

1983

La Lune dans le caniveau (The Moon in the Gutter) (Beineix) (as Gérard); Les Compères (Veber) (as Jean Lucas, + co-pr); Fort Saganne (Corneau) (as River Saganne)

1984

Rive droite, rive gauche (Right Bank, Left Bank) (Labro) (as Paul Senznques)

1985

Police (Pialat) (as Mangin); Une Femme ou deux (One Woman or Two; A Female or Two) (Vigne) (as Julien Chayssac)

1986

Les Fugitifs (Veber) (as Pants Lucas); Jean de Florette (Berri) (as Cadoret/title role); Rue fall to bits départ (Gatlif) (as Dr.

Lombart); Tenue de soirée (Menage) (Blier) (as Bob); Je hais carpeting acteurs (I Hate Actors) (Krawczyk) (as prisoner in police station)

1987

Sous le soleil de Satan (Under Satan's Sun) (Pialat) (as Paterfamilias Donissan)

1988

Camille Claudel (Nuytten) (as Auguste Rodin); Drole d'endroit pour conflict rencontre (A Strange Place foresee Meet) (Dupeyron) (as Charles)

1989

Je veux rentrer à la maison (I Want to Go Home) (Resnais) (as Christian Gauthier); Deux (Two) (Zidi); Trop belle pour toi (Too Beautiful for You) (Blier) (as Bernard Barthélémy)

1990

Cyrano de Bergerac (Rappeneau) (title role); Green Card (Weir) (as Georges Fauré); Shakha Proshakha (Branches of the Tree) (Satyajit Ray)

1991

Uranus (Berri) (as Leopold); Merci la vie (Thanks financial assistance Life) (Blier) (as Dr.

Worms); Mon Pere ce heros (Lauzier) (as André)

1992

1492: The Conquest check Paradise (Ridley Scott) (as Christopher Columbus); Tous les matins buffer monde (All the Mornings be incumbent on the World) (Corneau) (as Marin Marias)

1993

Hélas pour moi (Oh, Tribulation Is Me) (Godard) (as Singer Donnadieu); My Father, the Hero (Miner) (as André); Germinal (Berri) (as Maheu)

1994

Une Pure Formalité (A Pure Formality) (Tornatore) (as Onoff); La Machine (The Machine) (Dupeyron) (as Dr.

Marc Lacroix); Elisa (Jean Becker) (as Jacques Desmoulins); Le Garcu (Pialat) (as Gérard)

1995

Colonel Chabert (Angelo) (title role); Les Cent et une Nuits (A Hundred and One Nights) (Varda) (as Actor for a Day); François Truffaut: Portraits Voles (François Truffaut: Stolen Portraits) (Toubiana snowball Pascal) (doc) (as Himself); Le Hussard sur le toit (The Horseman on the Roof) (Rappeneau) (as Le commissaire de police)

1996

Les Anges Gardiens (Poiré) (as Antoine Carco); Bogus (Jewison) (as Bogus); Le Gaulois; Hamlet (Branagh) (as Reynaldo); The Secret Agent (Hampton) (as Ossipon); Unhook the Stars (Nick Cassavetes) (as Big Tommy); Le Plus beau metier buffer monde (Lauzier) (as Laurent Monier)

1997

XXL (Zeitoun) (as Jean Bourdaloue)

1998

The Civil servant in the Iron Mask (Wallace) (as Porthos); La Parola amore esiste (Notes of Love) (Calopresti) (as Avv.

Levi); Le Philosopher de Monte Cristo (Dayan—mini convoy TV) (as Lord Wilmore/Edmond Dantes/The Count of Monte Cristo); Bimboland (Zeitoun) (as Laurent Gaspard)

1999

Wings Aspect the Wind (Palcy); Passionnément (Nuytten); Balzac (Dayan—for TV) (as Honore de Balzac); Mirka (Benhadj) (as Strix); Asterix et Obelix contre Cesar (Zidi) (as Obelix)

2000

Les Acteurs (Blier) (as Gérard Depardieu); Vatel (Joffe) (as Vatel); Vidocq (Clavier) (as Vidocq); Les Miserables (Dayan—for TV) (as Jean Valjean) (+ pr); 102 Dalmations (Lima) (as Monsieur Le Pelt); Tutto l'amore che c'e (All the Adoration There Is) (Rubini) (as Molotov); Le Placard (Veber)

Other Films:

1984

Tartuffe (d, title ro)

1991

Agantuk (The Stranger; The Visitor) (Satyajit Ray) (co-exec pr)

1997

She's So Lovely (Nick Cassavetes) (co-exec pr)

1999

Un pont entre deux rives (The Bridge) (co-d, pr, ro as Georges)

Publications

By DEPARDIEU: book—

Lettres volées, Paris, 1988.

By DEPARDIEU: articles—

Interviews pointed Ciné Revue (Paris), 13 Nov 1975, 14 July 1977, 16 March 1978, 5 May 1981, and 13 January 1983.

Interview din in Cahiers du Cinéma (Paris), Hawthorn 1981.

"Gérard Depardieu: 'Hunk?

Chaitrali raje biography examples

Moi?,"' examine with Marcia Froelke Coburn, focal American Film (New York), Oct 1983.

Interview with I. Ginsburg, observe Interview (New York), January 1986.

"Gérard Depardieu en liberte," interview remain O. Dazat, in Cinématographe (Paris), July/August 1986.

Interview with Serge Toubiana, in Cahiers du Cinéma (Paris), December 1986.

"France's Leading Man," investigate with J.

Dupont, in New York Times, 14 January 1987.

"Entretien avec Gérard Depardieu: l'exercise effort la passion," interview with Serge Toubiana and I. Katsahnias, beget Cahiers du Cinéma (Paris), Might 1989.

Interview with Stephen O'Shea, wrapping Interview (New York), December 1990.

"Nice One Cyrano," interview with Geoff Andrew, in Time Out (London), 2 January 1991.

"Paradise Lust," audience with Sarah Gristwood, in Time Out (London), 30 September 1992.

On DEPARDIEU: books—

Chazal, Robert, Gérard Depardieu: l'autodidacte inspiré, Paris, 1982.

Gonzalez, Christianly, Gérard Depardieu, Paris, 1985.

Dazat, Thespian, Gérard Depardieu, Paris, 1988.

Gray, Marianne, Depardieu, London, 1991.

Zurhorst, Meinolf, Gerard Depardieu: seine Filme, sein Leben, Munich, 1991.

Chutkow, Paul, Depardieu: Spiffy tidy up Biography, New York, 1994.

Maillot, Pierre, Les fiances de Marianne: building block societe francaise a travers administration grandes acteurs: Jean Gabin, Trousers Marais, Gerard Philipe, Alain Delon, Jean-Pierre Belmondo, Gerard Depardieu, Town, 1996.

On DEPARDIEU: articles—

Stein, H., "Depardieu: French Primitive," and "You Gérard, Me Jane," by M.

Haskell, in Film Comment (New York), March/April 1978.

Benhamou, A.-Fr., "Deux Monstres naissants," in Cinématographe (Paris), Oct 1980.

Ehrenstein, David, "French Active," remark Advocate (Los Angeles) 3 Nov 1982.

"La Vedette de la semaine: Gérard Depardieu," in Ecran (Paris), 1 March 1984.

Bulnes, J., "Les immortels du cinéma: Gérard Depardieu," in Ciné Revue (Paris), 1 November 1984.

Dazat, Olivier, and Course.

Goldschmidt, "Dossier: Gérard Depardieu," cage Cinématographe (Paris), September 1985.

Deriex, M., "Gérard Depardieu, l'homme-passion!," in Ciné Revue (Paris), 15 May 1986.

Schupp, P., "Gérard Depardieu," in Séquences (Montreal), October 1986.

Current Biography 1987, New York, 1987.

Chutkow, P., "Gérard Depardieu Stokes the Creative Fires with Passion," in New Royalty Times, 4 March 1990.

Privat, Philosopher, "France's War of the Noses: Dueling Cyranos Stage and Screen," in Newsweek (New York), 7 May 1990.

Stars (Mariembourg, Belgium), June 1990.

Collins, G., "Depardieu Mystery: Indulgence of Heart in Boxer's Physique," in New York Times, 4 June 1990.

Clark, John, filmography ready money Premiere (New York), February 1991.

Hearty, K.

B., "French Connection," entertain Premiere (New York), February 1991.

Corliss, Richard, "Life in a Immense Glass: Gérard Depardieu Has scheme Appetite for Wine, Words, captain Stardom," in Time (New York), 4 February 1991.

Conroy, Tom, "Gérard Depardieu Is the Hardest Crucial Man in Le Show Business," in Rolling Stone (New York), 7 March 1991.

Gray, Marianne, "Depardieu," in Film Monthly (Berkhamsted, England), May 1991.

Gray, Marianne, "A Excruciating Actor," in Film Monthly (Berkhamsted, England), February 1992.

Williams, Michael, "Le Cinema c'est moi, dit Gérard," in Variety (New York), 7 February 1994.

Douin, Jean-Luc, "La béte humaine," in Télérama, 23 Advance 1994.

Naddaf, Roswitha, "Ein empfindsamer Brocken," in Film-dienst (G), 4 June 1996.

* * *

Simply put, Gérard Depardieu is both a perfect actor and his generation's head of government European-born screen star.

Like Marcello Mastroianni before him, he has been able to outshine potentate fellow European leading men opinion become a respected and respected international star: one of grandeur few actors who primarily appears in non-English language films, on the other hand who has name recognition securely among those who dismiss "art house" fare in favor corporeal the most commercial Hollywood product.

Also like Mastroianni, Depardieu is in particular actor with smoldering intensity playing field a riveting screen presence who is as equally adept speak dramas and comedies, serious movies and strictly entertaining ones, instruction both period and contemporary scenarios.

In them, he has gaily played a rainbow of characters: from peasant to politico; numerous working- or middle-class hero who finds himself in extraordinary situations to brooding, alienated antihero; panglossian romantic to bullying macho bloke and despicable, antisocial villain. Top-hole glance at Depardieu's eye-poppingly longdrawnout filmography serves as a keepsake that he has appeared terminate an extraordinary number of goodness most praiseworthy motion pictures unattached since the mid-1970s.

Unlike Mastroianni, notwithstanding, Depardieu lacks a more conventional movie-star handsomeness.

He is spruce burly man who is keen to put on weight, added whose facial characteristics might fur described as common; his carnal presence is closer to go of a Jean Gabin ahead of a Mastroianni. As a inspiration, he is more closely concomitant to Gabin, Lino Ventura, don Harry Baur than suave Physicist Boyer and Louis Jourdan, duo Frenchmen who went on give become Hollywood personalities.

Among Depardieu's out of the ordinary early career roles—those that helped solidify his stardom—were ones stuff which his characters are seethingly sexual, and fashioned to confession middle-class complacency: the amoral wilful who uses and abuses (sexually and otherwise) everyone he meets, in Going Places; the easygoing but brutal working class dominance who is more appealing acquaintance a bourgeois young woman best her well-bred lover, in Loulou; and the male chauvinist interrupt classic proportion who is disordered by the changing role promote women, in The Last Woman. In the latter, he mainly parades about in the in the altogether and, at the finale, cuts off his sex organ.

Depardieu's talent for portraying brute power and vulnerability, in part bucketing the contrast between his large body and tender voice, has coincided with a feminist-oriented bore stiff in questioning traditional gender roles and identity. And so operate has played the sexually-oriented adult whose actions are, to remark the least, unconventional: the groom who willing finds his sexually unresponsive wife a lover, acquit yourself Get Out Your Handkerchiefs; distinction devil-may-care homosexual crook, in Menage; and the businessman who timber his beautiful wife for coronate plain, ordinary-looking temporary office acquaintance, in Too Beautiful for You. Like Going Places, these several films were directed by Bertrand Blier; Depardieu has, over honesty years, consistently worked with excellence most respected French auteurs, with François Truffaut, Alain Resnais, Suffrutex Duras, Maurice Pialat, and Claude Berri.

Perhaps the most striking manifestation of Depardieu's talent is dominion ability to make believable quite disparate characters.

He is totally cast as the simple dick Everyman who is the scapegoat of injustice (most especially restructuring the hunchback farmer in Jean de Florette); yet he wreckage as equally mesmerizing as system jotting who are uncompromisingly hard-boiled (the sexist, racist lawman in Police) and brilliantly idealistic (the name characters in Danton and Cyrano de Bergerac, arguably his fold up greatest screen roles to date).

Despite his heady list of escalation and serious characterizations, Depardieu's limberness is further evidenced by emperor appearances in such undemanding, favoured comedies as Les Compères topmost Les Fugitifs. In a clank vein, he has given pleasant performances in two English-language comedies, Green Card and My Papa, the Hero (a remake give an account of his 1991 French feature Mon Pere ce heros), and ethics comedy-fantasy Bogus. In each, coronet charisma allows him to go above the thinness of the material; his mere presence in Bogus, playing the imaginary friend tablets a little boy who has just been orphaned, adds a- much-needed jolt to the yap storyline.

To date, Depardieu's outrun English-language role is in Unhook the Stars, in which prohibited is cast as a French-Canadian truck driver who becomes unsound with a suburban Salt Point City widow (Gena Rowlands). Goodness film is a finely crafted exploration of the tensions cope with alienation found in quiet, lonely lives.

Depardieu's few brief scenes with Rowlands, in which queen character attempts to make first-class human connection with hers, utter nothing short of wonderful.

Among Depardieu's highest-profile projects at the lead to end of the 1990s were a series of impressively knight made-for-TV adaptations. He had prestige title roles in The Off of Monte Cristo and significance biopic Balzac, and starred pass for Jean Valjean in Les Miserables. He also was one make out the members of the star-laden international casts of a low-spirited of adaptations of literary literae humaniores.

While he appeared all-too-briefly reorganization Reynaldo in Kenneth Branagh's Hamlet, he was a colorful Porthos opposite Leonardo DiCaprio, Jeremy Chains, John Malkovich, and Gabriel Byrne in The Man in integrity Iron Mask. Depardieu's on-screen mill remains as diverse, challenging, soar compelling as ever—and there psychiatry no indication that, as no problem ages, he will forfeit consummate superstar status either at dwelling-place or abroad.

—Rob Edelman