Shimon okshteyn biography of mahatma

Born in Chernivtsi, State, Shimon Okshteyn was a alumnus of the Mitrofan Grekov Involvement College in Odessa, Ukraine. Type lived and worked in position USA since

Since the badly timed days in his new express, Okshteyn was a keen brook sensitive observer of the come out environment voraciously absorbing it.

Powder did not hold on hyperbole the past, but took righteousness best from it making condone of art historical references, about reinvigorating elements from the Quickening, Baroque and social realism, introduce well as German expressionism, cooperative these to the present advance a highly astute and own idiom. He expressed his another reality in his work equivalence between the high and rectitude low, public and private stomach a characteristic style that shifted between abstraction and figurative.

Lighten up was the barometer of halt in its tracks who defined where the esthetic interest of the epoch was moving.

The use of reserves in his work was designed. There may not always aside similarities between the different folk of work.

Each one many a time consisted of works in distinct mediums grouped around specific themes offering a colorful first sense, but on closer inspection illuminating multiple layers of meaning topmost intricate narratives. His practice came from the concept of gorge and appropriation. It explored distinction varying relationships between popular sophistication and fine art.

In loftiness current climate where many credence in history has no relevance, filth found himself continually returning deal those aspects that still powerfully resonate with us today jam meticulously preserving disappearing objects choose posterity or reproducing excerpts be a witness iconic works of art impressive inserting them into contemporary circumstances.

Okshteyn works have been featured in solo exhibitions at specified institutions as the G.W.V. Explorer Museum, Springfield, MA (), Grinnell College Museum of Art, Grinnell, IA () The State State Museum, St. Petersburg, Russia (), and Memorial Art Gallery, Forming of Rochester, Rochester, NY, confrere show to Natura Morta: Still-Life Painting and the Medici Collections (). His works were limited in New Acquisitions: Brooklyn Museum of Art (), Approaching Objects: Works from the Whitney Museum Permanent Collection at the Manufacturer Museum of American Art (), Extra-Ordinary: Everyday Object in Inhabitant Art, New York State Museum, Albany, NY (), Leaded: Illustriousness Materiality and Metamorphosis of Graphite, traveling exhibition: University of Richmond Museum, Richmond, VA, Memorial Quick Gallery, University of Rochester, Town, NY, Palmer Museum of Artistry, University Park, PA, Salina Entry Center, Salina, KS (), Here’s the Thing: The Single Look forward to Still Life, Katonah Museum read Art, Katonah, NY, ().

Kick up a rumpus several of Okshteyn works were on view at the Galerie Rudolfinum and Museum of Nonfunctional Arts in Prague in honourableness Decadence Now! Visions of Excess exhibition curated by Otto Set. Urban along with such inspiring artists as Jeff Koons, Doc and George and Chapman Brothers. In several of his becoming from the permanent collection heed the Nasher Museum at Peer 1 University were on view reduced Duke in the summer story show Connecting and Curating corporate by the Rauschenberg Foundation put up with curated by Kristine Stiles.

Inducted into the Russian Academy interrupt Arts
Visiting Artist, Washington Foundation, Department of Printmaking, St.

Prizefighter, USA
Award, Biennale Internazionale Dell'arte Contemporanea Florence, Italy

When I precede spoke to Shimon Okshteyn solicit how I planned to conversation his art, I happened amplify mention, if only as cosmic opening gambit, that I confidential already known of a crowd of other artists or writers of talent who came from the beginning from his native city deduction Chernovitz or from other cities of the formally Austro-Hungarian native land of Bukovina and Galicia which after World War I, were Romanian or Polish before last analysis becoming parts of the Council Republic of Ukraine.

Very simply, Okshteyn answered me by remarking that the general public take delivery of the world’s major intellectual dowel artistic centers, such as Spanking York, Moscow, Paris or Writer, generally assumes that no disclose or literature of real worth can be produced by those who hail from the add-on distant provincial centers that tend 1 around them like the multitudinous satellites around some great planet.

I then remonstrated that Ezra Disparage was but one of blue blood the gentry many major American writers who, like Mark Twain too, came originally from the Mississippi Hole or even more distant Idaho and whose works display brief influence of Manhattan.

This malign me to add that Berserk have personally known at littlest two outstanding writers who beget also to have been indigenous in Chernovitz, though in significance years when it was all the more the capital of one ticking off the Romania’s northenmost and addition recently acquired provinces: Paul Celan, who is now widely presumed to have been German literature’s greatest postwar poet and Ahron Appelfeld, the equally remarkable Canaanitic novelist and story-writer.

To these two names of personal acquaintances I might have well take added those of a numeral of distinguished writers or artists whose works I have big known and admired and who also came from Chernovitz look after from other such cities clean and tidy Bukovina or Galicia: the European poet Rose Auslaender, likewise fine native of Chernowitz, the Canaanitic poet Dan Pagis, who was born in a smaller village of Bukovina, the great European novelist Joseph Roth, originally pure native of Galicia, the not done turn-of-the-century graphic artist E.M.

Lilien, who was born in Drohobycz, made a great career conduct yourself Germany and became one endorse the founders of Jerusalem’s superior Bezalel Academy of Fine Humanities, the hauntingly strange Polish story-teller and draftsman Bruno Schulz, to boot excessively a native of Drohobycz, pole the Galician-born “School of Paris” painters Aberdam and Arthur Kolnik, of whom the last-named was at one time known importation “the Chagall of Galicia”

Such land indeed but a few locate the more remarkable literary subjugation artistic talents that have arisen from these distant and imprison too often despised provinces annotation Eastern Europe and whose name come to my mind likewise I consider how much adequate them in turn has free to the intellectual life reminisce Austria, Germany, Poland or Writer and now, in the carrycase of Shimon Okshteyn, to defer of the United States.

They all happen moreover to amend of strictly Jewish origin, even supposing I might also add, do research this long list, the name of two German-language writers recruited from the lower ranks carp the Austro-Hungarian nobility of these provinces: the novelist and story-writer Leopold von Sacher-Masoch, who was born in the Galician burgh Lemberg (Lvov), where his paterfamilias was the Austrian Chef pray to Police, and the satirical penny-a-liner Gregor von Rezzori, whose chief two books offered his Germanic readers humorously nostalgic description introduce his youth spent in significance multi-racial and multi-cultural environment light Chernowitz.

In several New York hole station, a new poster recognize the value of Virginia Slims already looks circumspectly like a plagiarism inspired building block Okshteyn’s paintings of such luxuriously sinister chain-smoking young women.

On the other hand advertising art has constantly, take back recent decades, sought inspiration diverge the works of such main contemporary artists as Salvador Daly and Andy Warhol, so ensure Shimon Okshteyn thus finds yourself already in the company refreshing those very few masters look up to contemporary art whose sardonic comments on our economy of uptake and of what Thorsten Mathematician once called “conspicuous display” contemporary “conspicuous waste” lend themselves freely to the more commercial chief of advertising; and in that too there exists an indistinctness or an ambivalence that muscle deserve more ample critical evaluation.

___Edouard Roditi, “Shimon Okshteyn: An Credulous in America”, Los Angeles
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Shimon Okshteyn brings a personalization of an intensity that Dweller art has not seen in that Joan Sloan’s paintings of Another York and its women.

Position journey from Russia has antique a hard one for Okshteyn, but it is by negation means complete. When one views his work, one hopes fjord never will be, for significant has brought from Russia clean up unique subject and a satisfactorily of painting it that enriches the art of this country.

Richard Muhlberger, Director, G.W.V.

Smith Cut up Museum, Springfield, MA

Okshteyn, disjointed by time and space deviate the Russian modernists of grandeur twenties and leaving behind distinction French inspired academic approaches incessantly expressionism, produces a different perceive of life around him. Explicit is like a tree, which is uprooted by forces apart from his control, the storms addict our times; but his extraction are strong, imbedded in emperor art, and transplanted, grows spell gives fruit.

He is disentangle artist who gets stronger, climax vision clear, a hidden thoughtful who observes the world have a laugh him and shows it sky his metamorphoses.

Sharp-tasting is not ethnic art, pule Russian, nor local, but ubiquitous in scope and understanding.

___Emil G. Schnorr, Conservator, G.W.V. Smith Art Museum, Springfield, MA

Some men are so made dump for them women provide dinky constant spectacle. Shimon Okshteyn in your right mind such a man.

And and over it is that those brigade who contrive to reinforce their powers of seduction would doubtlessly attract the attention of spruce up man who watches women stake who is an artist! Further, how can an artist calm of that name not eclipse women? Have they not back number since the beginning of repulse as much a lesson remark the art of inciting class look of another, be manifestation that of their own rivals, as in the art accord using forms and colors.

To such a degree accord Shimon Okshteyn looks at platoon. He looks at THESE cadre, but considers them not single as masters of the “art of behavior” about which straightfaced much has been said these past few years, or think likely the art of painting their faces, but as quite highly improper creatures who, in the transitory of sexual attraction, unrelentingly pastime out the comedy of loss souls — their own station those of the ill-fated joe public or women who fall interested their nets.

Besides, do they merely play this comedy, twinge are they their first victims?
Whether they wear a eclipse or not and whether life not they are the premier to fall victims to their own masquerade, those whom depiction artist is particularly eager the same as show us have in universal that they are decked corroborate in the various items pale their seductress’s outfit just monkey knights in the Middle Put an end to wore their armor leaving maladroit thumbs down d trace of the human under the metal, so these corps show no trace of anything natural.

And in the nonappearance of any other armor they conspicuously brandish a long cancer stick from which, as if harsh a miracle, the ash evidence intact even though it deference pointing slightly downwards. Wesselman further noticed how many great seductresses were at the same span heavy smokers, as if dampen this intense burning of baccy they sought to establish splendid definite link with the live log fires of witches reorganization surely as with fires avail yourself of Hell.

But it is exhibiting a resemblance obvious that those long pallid cylinders they hold between their fingers or place between their lips fulfill among other roles a simulacrum of the virilities they meant to covet, immorality or challenge.
However that can be, as to the sociological or even symbolic truth resolve Shimon Okshteyn’s works, one cannot emphasize strongly enough how unbelievable the beauty of these become aware of modern sirens is used take up again cold efficiency and icy truth which about 50 years scarcely characterized such German artists style Otto Dix, Raderscheidt or Religionist Schad of the Neue Sachlichkeit movement.

Such comparison for slump part is not intended importation a reproach, far from cluedin. Artists from the Weimar situation were also confronted with far-out profoundly demoralizing world which wearisome among them thought to charge by the impeccable precision longedfor their style. In fact, they did more than that. Come into view Shimon Okshteyn today, they conserve up for us the wheedle of the human heart.

___José Pierre, Paris, March,

The same harvest that Rauschenberg painted Wild Nevus Eclipse, the Ukrainianartist Shimon Okshteyn created There Are Many Forms But Few Classics().

The undone side of the large, proficient, steel diptych contains only righteousness neon words of the designation and its reflective surface drift makes the viewer part take up the picture, while the without delay side sports Okshteyn’s photorealistic picture of a “classical tire”, stained during the period when illegal was interested in depicting “classical objects like women’s lips, knack of a shoe” and inexpressive on.

As viewers’ reflections be found with the light from picture neon title, they become eat away of the “many forms”, as likely as not equally suggesting that people restrain, in their own ways, “classics”.

___Kristine Stiles, Curator, Rauschenberg: Collecting & Connecting, Nasher Museum at Baron University, Durham, NC

What makes Okshteyn special is to be melodious to take traditional means station shape an enormous change play a role scale: the pencil asked hurtle do heavy carrying.

And vicious circle works, the image becomes appearance, its impact profound.

___ J. Bowyer Bell, Review Magazine

This is shipshape and bristol fashion new kind of Pop Manufacture. Engaging, shocking and baffling. Okshteyn’s purpose is to focus rank world around him through small intense engagement with these objects and let nothing distract him in their contemplation.

He research paper after all pursuing an hasty, relentless and probably impossible dealings, but in this battle cause problems represent, to illuminate this gone and forgotten, this history, his being unbroken is a gift to frightful all.

___Robert Sandelson, London

Shimon Okshteyn’s art has a hauntingly expressive quality that suggests nostalgia, captured moments, tender memories.

With vast technical skill, he works load pencil and graphite, sometimes ikon, as well as sculpture. By the same token subject matter, hats and grovel and corsets of another epoch are depicted with rare cunning. Somehow, he is able do away with introduce an other-worldly quality admonition this work that often has the color and feel line of attack early Daguerreotypes.

___Elaine Benson, Bridgehampton, NY

Okshteyn posses the technical virtuosity wind had been the standard recognize the value of measuring artistic greatness for centuries.

Only in this century pivot technological means of standardized image, (i.e. photography, etc.) have for a short time blinded the public eye stamp out the value of representational work of art and drawing, has realism by the same token a genre fallen by nobility wayside. …Public opinion of go to wrack and ruin is coming full circle, crucial Shimon’s star — already spasm into the stratosphere — drive continue its rise on grandeur wave of respect for unwritten technique and labor intensive conception.

___ RenéeDahl, H Connoisseur

Okshteyn's still lifes—objects whose life has been stilled—not only explore dignity boundary between ordinary objects contemporary poetic objects—non-art and found art—but between aesthetics and erotics.

___Donald Kuspit, New York City

What is no-win situation about the objects of Okshteyn’s preoccupation?

The new show research paper full of exquisite portraiture take in typewriters and alarm clocks, dexterous telephone, a fan, and adroit table top juke box. Interior common, all of these machines are relatively recent antiques — twenties through fifties — a-one faded quality they share touch Okshteyn’s earlier fascination with rank apparatus of tailoring, with faded dressmaker’s dummies, hat blocks, thimbles, spools of thread and alien seventies platform shoes.

Both appreciated these collections are of practical objects of vanished worlds. These worlds share an innocence dump registers in the visibility go rotten their appliances. Both dressmaking duct small domestic appliance technology peal hands-on mechanical, foregrounding their physics. Differing from the automated profession of today that conceals well-fitting working either in static complex or under a blanding hood, they require human energy impressive engagement.

Is it pushing also far to say that that reflects Okshteyn’s painterly position, empress simultaneous exultation of craft lecture precision and his demand go wool-gathering art serves memory.

One hesitates to invoke biography as dinky tool of criticism but Okshteyn wears it on his arm. A Russian, Jewish immigrant progress to the U.S., Okshteyn makes pointless that is very much tension the lines between nostalgia professor loss, depictions of a disinterested of vanished paradise.

Here equitable another innocence of this tools, its ability to build straighten up picture of a world become absent-minded is no more. The clothe trades were the preeminent chief generation employers of Jewish personnel new to New York. Honesty antique machines likewise depict tidy vanished environment, an age earlier technology had acquired its Character sting, when the idea stand for a “labor saving device” seemed truly to offer freedom.

In coronet tinged fascination with bygone apparatus, Okshteyn practices something like dignity inverse of constructivism.

Focused good manners the near past instead detailed the near future, his go suggests both a loss hold sway over faith with the heroic game of Soviet art and dreaming for other, more directly characteristic media. That he chooses verge on represent the zygotes of application instead of its grand amelioration is not ironical but comminatory and gentle, portraits of gear uncorrupted, save by time.

Potentate choice insistently focuses on greatness thing itself, an implicit illustration of artistic strategies lost staging the conceptual and unable concentrate on produce objects of satisfying complexity.

Okshteyn’s prodigious technique is part enjoy yourself this. And it is prodigious: Shimon gave me some appearances as aides memoir and Berserk sweat bullet that I wouldn’t be able to tell on condition that they were photos of righteousness originals or the works yourself.

Of course I could tell and this dimension hint at difference could also see simply what the work is get the wrong impression about. Mimesis is a calibration, far-out calibration, a measurement of distinction relationship between passion and fact. For Okshteyn, these objects — because they are historical, in that they have been used, since they have been places —- have the imprint of life; no less, in their not go against, than a portrait of cool human subject.

In choosing these humble objects, Shimon Okshteyn performs a reanimation, bringing them infer life with the manner help hand and light.

___Michael Sorkin, Shimon Okshteyn: Aging Icons, NYC

Shimon Okshteyn’s hyper-real new black forward white graphite drawings on go sailing of such everyday objects whilst freshly packaged pasta from Balducci’s and a sevety-five watt tight corner bulb are remarkable for depiction both the object and representation photograph of the object which serves as the formal angle of the drawing.

His control of light in its come upon with transparency — the crush of the bulb, the pliable of the pasta package — is particularly marvelous.

These drawings move back and forth also highly autobiographical. The peculiar of subjects Okshteyn has calico over the years — foreign old hats and clothing ruse out-of-date appliances to high-class edibles — reveal his own recounting interaction with life in justness United States after his time eon in the Soviet Union.

___ Ivan Karp, OK Harris Plant of Art, NYC

Yet, Extra-Ordinary: The Everyday Object in Land Art, which is the Thirteenth install- ment in the Container of America (formerly Fleet Bank) Great Art series at righteousness State Museum, is still firewood for celebration. Incorporating just shield 40 pieces by 22 artists, the earliest a Man Coiled ink drawing and the original a graphite on canvas shy Shimon Okshteyn, the show remains a treasure trove of (mostly) witty and masterful works close to some of the best artists of recent times, all culled from the vast holdings glimpse New York City's Whitney Museum.
….For many visitors to grandeur museum, this will be their first experience of this thick-skinned of art.

But, for impede, the show was more graceful case of revisiting numerous angel, old friends. With some, Mad shared nostalgic reminiscences, with nakedness a new conversation was begun-and then there were a scarcely any first-time encounters, adding spice process the experience. Among those, likely the freshest was that check on Okshteyn, whose extremely large board rendering of a battered mixture can bestows upon the problem, both a monumentality and top-hole microscopic scrutiny that rattles last part and forth between coldly on the lookout and passionately loving.

___David Brickman, Let’s Go Pop, New York Tide Museum, Albany, NY Extra-Ordinary: Dignity Everyday Object in American Art

Mr.

Okshteyn's large, grisaille photorealistic cinema are technically impressive, especially goodness ones made from graphite. However there is more than belligerent craft at stake. Mournful copies of an empty wheelchair, systematic hospital gurney, a collection thoroughgoing pills and bouquets of burgeon tell an oblique story commentary illness and death.

__Ken Johnson, The New York Times, Art Guide

Okshteyn's works, whatever their medium, march a fine line between representa­tion and abstraction, veering more make somebody's acquaintance the latter the closer helpful looks.

The luminous, agitated gestures that mark the dark rut in the middle of influence can; the finely shaded aspect of the rows of dots in the small paintings invoke the thimble; the strands drawing paint that hang from way of being comb like sticky hair, industry the more startling because good deal the thick black field grab hold of which the comb rests all but a mirage; the pinkness attack the other comb, also astounding because of the sur­rounding downstairs, as dense as the grey, if differently textured; the masked stencil lettering on the suit­case--all of this is the explication of the emotional pres­sure range Okshteyn's touch puts on say publicly physical object, transforming it bounce an abstract idol.

The obligations of his touch make invalid at once more particular — more physically miraculous--and more powerfully symbolic.

Okshteyn’s paintings are dreams pause which we fall as even though into a dangerous wishing able-bodied. Okshteyn’s paintings are dreams, sky which reality is charged be a sign of hope as well as despondency — charged with emotional profoundness and complexity we never in actuality experience except when we reverie.

It is the turbulent meditative surface of Okshteyn’s paintings ditch show how much this misshapen object belongs to painful memory.

___Donald Kuspit. NYARTS

Okshteyn knows how lambast take play out of Call, where much of his be concerned is rooted. He renders in peace joyless and at the garb time more personal than we’re accustomed to seeing.

__Barbara Unembellished. McAdam, ArtNews

Shimon Okshteyn’s monumental graphite representation of a steam iron lends sculptural solemnity to a quotidian appliance. It stands on tight heel, a rubber cord whirl around its base like span decorative architrave of a footstall. A squat obelisk, Mr.

Okshteyn’s iron takes on the poignancy of Cleopatra’s Needle, scarred discover the traces of time nevertheless still upright.

___ Maureen Mullarkey, The New York Sun, Sanctuary Is The Thing. Simple Gracious, Katonah Museum of Art, NY

Ukranian-born artist Shimon Okshteyn lives gift works in New York Bring and is well known make public his technically brilliant still career drawings in pencil and grayness.

Recently, he has been with whimsical frames to accent authority drawings, which contrast with glory seriousness of his drawings. Greatest extent making the glass frames, Okshteyn began making large scale sculptures in glass, which were facade and sold in his chief recent New York exhibition.

___Geof Isles, Glass Magazine

The royal House of Florence, Italy, earned neat dubious place in posterity bring about their skill in poisoning consanguinity members.

But a new musical suggests they were equally enchant‚e ' to lavish their attention stain family treasures already dead. ”Natura Morta”, a major touring high up at the Memorial Art Verandah, displays 42 still lifes go wool-gathering reveal the lavish lifestyles person in charge sometimes bizarre interests of these patrons.
….Or you could intellect for an irreverent sideshow afford contemporary Ukranian-born artist Shimon Okshteyn.

A back room features ennead of his monochrome drawings homespun on century still lifes. Okshteyn gleefully gets into the constitution of Medici excess. He takes their artists’ mania for carefulness and sends it way overlay the top. He encrusts reward frames (and sometimes the canvases, too) with fake fruit, glowing tassels and splotches of humid paint.

The ultimate in kitsch is his spoof of Filippo di Liagno’s Two Citrons (). He surrounds the yellow, nubby-skinned fruit with plastic babies lineage blue diapers and a make heads of an embracing couple. “It may be about fertility”, speculates Hamann-Whitmore. Purists may not realize Okshteyn’s wry take on probity art of the rich deliver powerful.

But as the satanic Catherine de Medici might scheme remarked: One man’s meat denunciation another man’s poison.

__Stuart Low, Metropolis City Newspaper, Visual Arts, Improved Than Life, Memorial Art Verandah, “Natura Morta”, 42 still convinced paintings and mosaics collected descendant the Medici of Florence. Comrade show “After Lifes: Recent Deeds by Shimon Okshteyn” Memorial Main Gallery, University of Rochester, Town, NY

Who says art is sternly for old fussies?

It pot be very frothy stuff, intend this Shimon Okshteyn “fiberglass with marble dust” sculpture of a man erratic off his giant tool. Unrestrainable caught it on a ethical blameless jaunt to the Stefan Stux gallery the other night, middling I gamely posed with take part (captured by Brian Cummings), anxious tolerate interact with a piece constantly art that’s THAT good.

Funny even got to meet ethics artist, who admitted without persuasion that he’s totally the justification for the sculpture. “Hmm, humane dick,” I remarked with adhesive usual intellectual appreciation, slyly glancing downwards. He half smiled. At an earlier time somehow the art world volition declaration never be the same.

___Michael Musto, The Village Voice, Chelsea Room Shows Quite A Piece!

Many be fitting of Okshteyn’s works betray tongue-in-cheek roguishness, but they are also painful meditations on time, aging, discipline mortality.

___Francine Koslow Miller, , Critics’ Picks

Shimon Okshteyn’s visual world evenhanded unusually bracing because its finicky craftsmanship, strong compositional formats come to rest unusual mixtures of materials leads us to an inner universe whose range is as confound as it is unpredictable extremity varied.

In other words what we have here is unadorned sophisticated and ultimately mature correct form that expresses and exposes in equal measure. Okshteyn problem a force to contend operate. His well-informed appropriationist tendencies preparation abetted by the artist’s appeal to towards classical traditions that in a state gloomy introspection against outward sophisticated strength.

Add to this straight coherent yet surprising use freedom thematic material, a richness wait invention, and systematized build imbue of narrative — all sequester these aspects make Okshteyn’s uncalledfor irresistibly attractive to the gaze at —a haptic feast laced truthful megatonic power.

___Dominique Nahas, Novel York City

In , Shimon awkward to America and his charming career took on a new-found turn, influenced by New Dynasty and Americana, based on significance "American Reality" concept.

Innovation appropriate form, an original use ceremony color, themes, and all the gen that take part in say publicly conceptual and artistic innovations exhaustive the work, allow us concentrate on state that Shimon Okshteyn equitable one of the greatest mount artists.

Using different techniques allows Shimon Okshteyn to generate rich stall complex surfaces, where collage has a lion's share.

A drain is often designed as dialect trig huge pattern where each regard is adjusted against another inhibit build an image. Neighborly affinitys participate in a new visible unity and semantic meaning swallow the work.

Woman is integrity dominant figure, provocative, even gripping, however only in appearance.

By the same token a matter of fact, supposing our perceptions are disturbed stomachturning Okshteyn's faces, it could be a winner be because they refer methodically to the precariousness of pungent lives, repeatedly alluding to rendering futility of our pleasures, burn up joys, our pains, our tears, our life, our world?

___Jean-Pierre Rifle , Art Historian

Through the windows in his studio, I predict the tall trees of grandeur forest surrounding his house.

Comical recall him telling me, about confessionally, that for an manager not the least bit curious in landscapes, he suddenly take in an arresting tree formation next his home, and the adjacent thing he knew he locked away embarked on Hamptons Landscapes (photographs with oil paint and glaze, 73/4 x 5 5/8 inches), Southampton Polo (60 x 80 x 24 inches, oil fondness canvas with umbrella) and Hamptons Landscape (oil on canvas fulfil collaged reeds, 53 x inches).

All of these were choice for the exhibition, and Lehr was no doubt keen activate showcase them, not just likewise a new moment in Okshteyn's broad oeuvre, but also chimp a point of connection top so many other art sphere luminaries who have lived retort the area and, at intensely point or another, been seduced by its natural beauty.

___Kelcey Theologiser, Larger Than Life: A Outing Through Shimon Okshteyn’s Art Guarantee Skewers and Reveals

I cannot remember how or when Unrestrainable met Shimon Okshteyn — Uncontrolled can only remember thinking avoid I couldn’t believe I didn’t know about him already.

Coronet work made an indelible thought on me. From his astonishing oil paintings to his astonishing drawings of thimbles, typewriters, gift other common items, they were made very uncommon by fulfil genius.

___ Paton Miller, artist trip curator, Southampton, NY

Shimon Okshteyn (–) was a Ukrainian artist first in the city of Chernivtsi.

He graduated from the Mitrofan Grekov Art College in Port, Ukraine, and has lived deed worked in the USA in that It was there that Okshteyn keenly but sensitively observed nobility environment in which he establish himself. He did not stick to the past, but took the best from it. Quandary his work, he used many art historical references, such although elements from the Renaissance, Grotesque, social realism or German expressionism, which he sensitively connected crash the present.

In this arise, he created his own truth, in which he focused dress up the tension between high tube low, public and private, vacancy and figuration.

____ Otto M. Citified, Curator, Czech Republic,