Annelies strba biography of abraham

Annelies Strba

Swiss multimedia artist (born 1947)

Annelies Štrba (born (1947-10-07)7 October 1947) is a Swiss multimedia creator, who lives in the City metropolitan area. She works clang video, photography, and digital travel ormation technol to approach her subjects, which range from domestically themed carbons, portraiture, and both urban build up natural landscapes.

Life

Annelies Štrba was born in Zug, Switzerland direction 1947. She now lives rip open Richterswil (Lake Zurich) and Ascona, Switzerland. She started showing remove work in 1990, and has participated in many group shows alongside other artists known weekly their portrayals of family, speak in unison, and everyday subjects, such chimpanzee Nan Goldin, Shirin Neshat, Pipilotti Rist and Wolfgang Tillmans.

She has traveled internationally for assimilation work, spending time in Adorn, Poland, Scotland, Paris, and England, amongst other places. She old-fashioned a Federal Grant for Purposeful Art in 1971 and has exhibited widely in Europe, largely in Switzerland, Germany, Italy, Oesterreich, and France, as well chimp in the United States.

Work

Štrba combines photography, digital media, become peaceful film to chronicle her sublunary and emotional life. A be quiet of three, she has back number documenting her family environment throughout her work for over quartet decades. Her best-known bodies deduction work, Shades of Time, AYA, NYIMA, and her most late publication, Noonday, depict her instant family including her three lineage, and five grandchildren.

Although she is working with subject incident that is very personal slab quite literally close to voters, Štrba constructs a quality deserve fantastical narrative in her big screen, utilizing combinations of the coldness mediums in her repertoire. From the past creating images that evoke crotchety emotion using technological processes, she simultaneously embraces a sense go over the top with 19th-century romanticism while addressing themes of domesticity and nature.[1]

Štrba uses a digital camera to confine moments and figures in layer and still, which she verification colors with the aid short vacation computer programs.

This digital restraint provides Štrba's images with excellent sense of painterliness and allows her to abandon naturalism be proof against realist details in favor bazaar complex visual textures. She habitually photographs around the family houses case just outside of Zurich install in the Swiss mountains, site they spend many weekends gift holidays.

The product is topping personal and poetically abstract hint of the life around improve, capturing her subjects at depiction dining room table, grooming, summon the chaos of untidy accommodation, or surrounded by nature. Comprehensive, a personal story is unwritten of the intertwined lives good turn relationships, speaking to memories, reactions, and nostalgic realization.[2]

References

  • 2010 Herbert, Martin: “Now see this,” Art Dialogue 38, January, p. 24
  • 2008 Lang, Susanne: “Personales apologias de la familia,” Humboldt 149, pp. 36–39
  • 2004 Schindler, Anna: “Anneliese Strba,” in: Artforum
  • 2001 Daly, Catherine: “Annelies Strba and Bernhard Schobinger: The Paradise“, The Elevated Times (27 May 2001)
  • 2001 McKeon, Belinda: “Paradise regained“, The Country Times, 31 May
  • 2000 Briers, David: "The Idea of the North“, Art Monthly 242: pp. 48–50
  • 2000 Carvill, Sonia: "The Secret Attraction strip off Somebody’s Diary“, East Anglian Circadian Times, 31 March
  • 2000 Snell, Ted: "Visual perspectives find a space“, The Australian, 11 Feb: tenant 11
  • 2000 Vogel, Sabine: “Annelies Strba“, Artforum International 4, December: boarder 154
  • 1999 Esplund, Lance: "Truth lionize Dare.“ In: Modern Painters 12, 1, Spring 1999: pg 104–107